INKONSTRUKTION III, Stiftung Biesenthal, Berlin; 05.07.08 - 14.09.08 ![]() NEWBORN undeliverable? Kunsthof Zürich June 5-7, 2008 ![]() SYNTHETIC TIMES - MEDIA ART CHINA 2008 / june 5 -july 5 2008 ![]() Vigilancia y control , El Centro de Arte La Regenta 07.03. - 20.04.2008 ![]() Transmediale 08: CONSPIRE Ausstellung 30.01 - 24.02.08 ![]() ![]() ![]() Plattform für das dynamische Feld der elektronischen Künste. Ort des Festivals, das am 25. bis 28. Oktober 2007 stattfinden wird. ![]() Der Studiengang Medien & Kunst, Vertiefung Neue Medien, der Zürcher Hochschule der Künste (ZHdK) zu Gast im Hartware MedienKunstVerein Dortmund ![]()
![]() KNOWBOTIC RESEARCH - Room for Manoeuvre four vehicles: white_sovereign, passion_cleaner, tiger_stealth, blackbenz October 5 - 27, 2006,
![]() Publicity- Kunst im Öffentlichen ![]() ![]() lateshift. Puls 5 Zürich related to PASSION5: 1may.ch "BlackBenz" - an artrace from Zurich to Prishtina and retour Date : April 29(Fri.) -July 3 (Sun.) , 2005 Venue : NTT InterCommunication Center [ICC] 2005 Gallery A, B, 5F Lobby, Entrance Lobby open Nature" focuses on the "nature" infiltrated in our daily lives through digital information environments, and aims to redefine it as an "open" concept that clears the way for a broader range of relationships between art and technology. ![]() Knowbotic Research, Marlene McCarty, 56kTV-Bastard Channel, N3krozoft Mord 30. Januar - 27. März 2005 In Zusammenarbeit mit dem Bundesamt für Kultur/sitemapping.ch sowie der Basler Institution [plug.in] präsentiert die Neue Kunst Halle St. Gallen vier Projekte zeitgenössischer Schweizer Medienkunst. Installationen und Performances ergründen neue Territorien im Ausstellungsraum. Die Ausstellung wird vom Symposium «Exposing Media Art» am 12.03.2005 ergänzt, das Fragestellungen innerhalb des neu entstandenen Bereichs Medienkunst diskutiert. ![]() [Exhibition from February, 4 to 8] Knowbotic Research's ‘naked bandit/here, not here/white sovereign 3.0’ focuses on the mechanisms of detainment of so-called ‘unlawful enemy combatants’ who can be regarded as ‘here’ and, at the same time, ‘elsewhere’, not anymore on the territory of the nation state, and thus banned, stripped off from the legal framework which the nation state guarantees (‘naked bandit’). The project investigates the mechanisms of such an inclusive exclusion and the inherent formations of power. By remodelling these specific formalisms in software code the artists are able to offer different possible scenarios for the liberation of the ‘naked bandit’. It's obvious that the solution cannot be applied on the prison situation. However this tension of the hypothetical is crucial to the aesthetics of the work. ![]() Orléans, Frankreich 6rd Orléans international architectural conference -> archive |
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